About Ovenbird:

We believe that poetry (read: writing that exists art-first) is the biggest hope and best proof that humans are not simply the most violent ornaments of a perplexing planet. Poetry is how we may exclaim, buttress, and boast of the largess of our spirit, a spirit we trumpet in all of art’s forms but which, in poetry, rises to raw song and rallying cry. And that cry is a call to attention: an exhortation towards precision, toward a spirit realized out of clarity of vision, not obfuscation, even as it struggles with subjects beyond conception. We believe in poetry as the most admirable vice, we love its scholarship, its music, its quietudes and violences, the way it seems to mean, and the way it escapes paraphrase. And we believe there are more of us out there, who see poetry the same way: who yearn to be saved by the same songs. Therefore, we’ve created this space for the soul-fulfilling work we love, to curate, study, and comment upon it at the same torrid pace as any other art form. At Ovenbird we believe that whether the poetry is written in celebration, in lamentation, in self-defense, or as a threat, we need to see more of it. Once it exists, we need to discuss its meaning, function, and effect (whether it holds tight or all falls apart). Each issue will feature new works that cry out to that largess of spirit, as well as conversations—actual conversations—on books or works with enough weight to knock us around. We hope to raise the blood of poetry, to spark life in its readers, and to learn to better understand our own dramatic connection toward the enlightened art.

SUBMIT WITHOUT FEAR AND YOU WILL BE JUST FINE.  WE CAN'T WAIT TO READ WHAT YOU'VE COME UP WITH.

We like to think that all published poetry is intended to join the general conversation on literature, but sometimes that conversation needs to be more specific, or detailed, or even pointed. Each issue we plan to publish prose about poetry -- reviews on new work (or even old work, if the take is new) or commentary about poetry in general and in specific. The only catch: we're looking for actual conversations, between two or more people. We're looking for round-tables, interviews, email exchanges, chat-room text, or even audio or video of conversations on and about poetry. Both queries and (if you have them) final pieces  can be submitted here.
Ovenbird Poetry